DV12-MK3

Use it with a 50 Hz or lower preset on a subwoofer with a Linkwitz-Riley low-pass filter.

Low-cut:

50 Hz · Linkwitz-Riley

Use it with a 60 Hz or lower preset on a subwoofer with a Linkwitz-Riley low-pass filter.

Low-cut:

60 Hz · Linkwitz-Riley

Use it with a 70 Hz or lower preset on a subwoofer with a Linkwitz-Riley low-pass filter.

Low-cut:

70 Hz · Linkwitz-Riley

Use it with an 80 Hz or lower preset on a subwoofer with a Linkwitz-Riley low-pass filter.

Low-cut:

80 Hz · Linkwitz-Riley

Use it with a 90 Hz or lower preset on a subwoofer with a Linkwitz-Riley low-pass filter.

Low-cut:

90 Hz · Linkwitz-Riley

Use it with a 100 Hz or lower preset on a subwoofer with a Linkwitz-Riley low-pass filter.

Low-cut:

100 Hz · Linkwitz-Riley

Use it with a 110 Hz or lower preset on a subwoofer with a Linkwitz-Riley low-pass filter.

Low-cut:

110 Hz · Linkwitz-Riley

Use it with a 40 Hz or lower preset on a subwoofer with a Linkwitz-Riley low-pass filter. Lowest setting: most low end from the top.

Low-cut:

40 Hz · Linkwitz-Riley

Use it with a 120 Hz or lower preset on a subwoofer with a Linkwitz-Riley low-pass filter.

Low-cut:

120 Hz · Linkwitz-Riley

Use it with a 130 Hz or lower preset on a subwoofer with a Linkwitz-Riley low-pass filter. Highest setting: more low bass is reduced.

Low-cut:

130 Hz · Linkwitz-Riley

Use it for full-range output with a 50 Hz Butterworth high-pass. Lower-frequency BW presets retain more bass extension; use LR presets as a starting point with subs.

Low-cut:

50 Hz · Butterworth

Use it for full-range output with a 60 Hz Butterworth high-pass. Lower-frequency BW presets retain more bass extension; use LR presets as a starting point with subs.

Low-cut:

60 Hz · Butterworth

Use it for full-range output with a 70 Hz Butterworth high-pass. Lower-frequency BW presets retain more bass extension; use LR presets as a starting point with subs.

Low-cut:

70 Hz · Butterworth

Use it for full-range output with an 80 Hz Butterworth high-pass. Lower-frequency BW presets retain more bass extension; use LR presets as a starting point with subs.

Low-cut:

80 Hz · Butterworth

Use it for full-range output with a 90 Hz Butterworth high-pass. Lower-frequency BW presets retain more bass extension; use LR presets as a starting point with subs.

Low-cut:

90 Hz · Butterworth

Use it for full-range output with a 100 Hz Butterworth high-pass. Lower-frequency BW presets retain more bass extension; use LR presets as a starting point with subs.

Low-cut:

100 Hz · Butterworth

Use it for full-range output with a 110 Hz Butterworth high-pass. Lower-frequency BW presets retain more bass extension; use LR presets as a starting point with subs.

Low-cut:

110 Hz · Butterworth

Use it for full-range output with a 120 Hz Butterworth high-pass. Lower-frequency BW presets retain more bass extension; use LR presets as a starting point with subs.

Low-cut:

120 Hz · Butterworth

Use it for full-range output with a 130 Hz Butterworth high-pass. Lower-frequency BW presets retain more bass extension; use LR presets as a starting point with subs. Highest setting: more low bass is reduced.

Low-cut:

130 Hz · Butterworth