Makara-MK3

Use it when your tops take over at 70 Hz or higher with a Linkwitz-Riley high-pass filter. Gradually reduces rumble below 26 Hz.

Use it when your tops take over at 75 Hz or higher with a Linkwitz-Riley high-pass filter. Gradually reduces rumble below 26 Hz.

Use it when your tops take over at 80 Hz or higher with a Linkwitz-Riley high-pass filter. Gradually reduces rumble below 26 Hz.

Use it when your tops take over at 85 Hz or higher with a Linkwitz-Riley high-pass filter. Gradually reduces rumble below 26 Hz.

Use it when your tops take over at 90 Hz or higher with a Linkwitz-Riley high-pass filter. Gradually reduces rumble below 26 Hz.

Use it for Good Neighbor / vinyl mode: gradually reduces output below 35 Hz instead of 26, tops take over at 80 Hz or higher with a Linkwitz-Riley high-pass filter.

GNM: Good Neighbor / Vinyl mode. The high-pass sits higher, so less deep bass plays.

Use it on the sub facing away from the audience in a cardioid setup. Tops take over at 75 Hz or higher with a Linkwitz-Riley high-pass filter.

Cardioid: for the rear-facing cabinet in a cardioid setup. BASSBOSS recommends two cabinets facing forward for each one facing back. Placement and levels affect rear rejection.

The cabinet display shortens "Cardioid" to "Cardiod" to fit its character limit.

Use it when your tops take over at 100 Hz or higher with a Linkwitz-Riley high-pass filter. Gradually reduces rumble below 26 Hz.

Use it for a 60 Hz Butterworth low-pass response. For a sub/top crossover, start with LR presets. Gradually reduces rumble below 27 Hz.

Use it for a 65 Hz Butterworth low-pass response. For a sub/top crossover, start with LR presets. Gradually reduces rumble below 27 Hz.

Use it for a 70 Hz Butterworth low-pass response. For a sub/top crossover, start with LR presets. Gradually reduces rumble below 27 Hz.

Use it for a 75 Hz Butterworth low-pass response. For a sub/top crossover, start with LR presets. Gradually reduces rumble below 27 Hz.

Use it for an 80 Hz Butterworth low-pass response. For a sub/top crossover, start with LR presets. Gradually reduces rumble below 27 Hz.

Use it for an 85 Hz Butterworth low-pass response. For a sub/top crossover, start with LR presets. Gradually reduces rumble below 27 Hz.

Use it for a 90 Hz Butterworth low-pass response. For a sub/top crossover, start with LR presets. Gradually reduces rumble below 27 Hz.

Use it for a 95 Hz Butterworth low-pass response. For a sub/top crossover, start with LR presets. Gradually reduces rumble below 27 Hz.

Use it for a 100 Hz Butterworth low-pass response. For a sub/top crossover, start with LR presets. Gradually reduces rumble below 27 Hz.

Use it for Good Neighbor / vinyl mode: gradually reduces output below 40 Hz instead of 27, Butterworth low-pass at 90 Hz; start with LR presets for a sub/top crossover.

GNM: Good Neighbor / Vinyl mode. The high-pass sits higher, so less deep bass plays.

Use it when your tops take over at 60 Hz or higher with a Linkwitz-Riley high-pass filter. Deepest setting: gradually reduces output below 23 Hz.

XLF: the deepest Makara presets. The high-pass drops to 23 Hz, below the 26 to 27 Hz of the others.

Use it when your tops take over at 65 Hz or higher with a Linkwitz-Riley high-pass filter. Deepest setting: gradually reduces output below 23 Hz.

XLF: the deepest Makara presets. The high-pass drops to 23 Hz, below the 26 to 27 Hz of the others.

Use it when your tops take over at 70 Hz or higher with a Linkwitz-Riley high-pass filter. Deepest setting: gradually reduces output below 23 Hz.

XLF: the deepest Makara presets. The high-pass drops to 23 Hz, below the 26 to 27 Hz of the others.

Use it when your tops take over at 75 Hz or higher with a Linkwitz-Riley high-pass filter. Deepest setting: gradually reduces output below 23 Hz.

XLF: the deepest Makara presets. The high-pass drops to 23 Hz, below the 26 to 27 Hz of the others.

Use it when your tops take over at 80 Hz or higher with a Linkwitz-Riley high-pass filter. Deepest setting: gradually reduces output below 23 Hz.

XLF: the deepest Makara presets. The high-pass drops to 23 Hz, below the 26 to 27 Hz of the others.

Use it when your tops take over at 85 Hz or higher with a Linkwitz-Riley high-pass filter. Deepest setting: gradually reduces output below 23 Hz.

XLF: the deepest Makara presets. The high-pass drops to 23 Hz, below the 26 to 27 Hz of the others.

Use it when your tops take over at 90 Hz or higher with a Linkwitz-Riley high-pass filter. Deepest setting: gradually reduces output below 23 Hz.

XLF: the deepest Makara presets. The high-pass drops to 23 Hz, below the 26 to 27 Hz of the others.

Use it when your tops take over at 95 Hz or higher with a Linkwitz-Riley high-pass filter. Deepest setting: gradually reduces output below 23 Hz.

XLF: the deepest Makara presets. The high-pass drops to 23 Hz, below the 26 to 27 Hz of the others.

Use it when your tops take over at 100 Hz or higher with a Linkwitz-Riley high-pass filter. Deepest setting: gradually reduces output below 23 Hz.

XLF: the deepest Makara presets. The high-pass drops to 23 Hz, below the 26 to 27 Hz of the others.